“Non-digital photography in the Digital Age.”
The name “unikatfabrik” is a neologism combining the German words “Unikat” - single edition; ‘unique’ item, and “Fabrik” - factory, implying mass production. Thus, unikatfabrik means “factory of single editions”. That this may appear to be a contradiction in terms is purely intentional. The fine art photographer coined this word with the express purpose of posing a challenge to break with traditional ways of seeing and encouraging a fresh look at the world.
More, the term “unikatfabrik” speaks volumes about Koerfer’s artistic approach. Each work is a singular and irreproducible multiple exposure
composed directly on film. The viewer, captivated by the compelling intensity and aesthetic appeal of the works, permits himself to be taken on a voyage of discovery where he gets to see the world through a novel perspective he is inspired to cultivate.
In his annual photo sequences
Achim Koerfer passionately addresses issues of immediate and current relevancy. He employs a visual leitmotif to expose the intricacies and multifarious facets of the issue presented. This is accomplished not only by the nature of each individual composition of the sequence, but also by the order in which the works are presented, bringing yet other aspects to light and heightening the impact of the message. Colors of stunning brilliance
catch the eye. The commonplace is presented in a surprising new light in striking compositions, complex yet lucidly transparent. An added dimension novel to photography seems to become manifest – time. It is nearly impossible to resist the fascination of Koerfer’s works. The viewer is ultimately moved to involve himself with the topic at hand.
It is a matter of personal commitment for Achim Koerfer to devote his artistic endeavors to the service of social causes
. Thus, he has alredy donated artworks to various aid agencies and international charity projects such UNICEF in the Netherlands, Streetkids International in Africa or the German chapter of the Catholic Pontifical Mission Societies of the Holy See.
Koerfer favors projects
dedicated to improving the living conditions of people who lack a special interest group to champion their cause. It is primarily educational programs which Koerfer considers to be an essential foundation for long-term aid and development, then it is only those who can read and write who have a chance to better their life. No education means no opportunity for improvement.